GPOD on the Road: Piet Oudolf’s Sculpture Garden at Singer Laren


Happy Friday, everyone! As promised, we’re back with another stop from Fine Gardening’s Stunning Gardens of the Netherlands tour. Today, Danielle is taking us to Singer Laren, where Piet Oudolf’s layered plantings surround a collection of contemporary sculpture.

Singer Laren is a museum and cultural center in the Netherlands with a long history of garden design. Landscape architect L.A. Springer laid out the original garden, and later versions included work by Mien Ruys, Elisabeth de Lestrieux, and Marcel Wolterinck. After a major redevelopment of the museum and theater complex, Singer Laren brought in Piet Oudolf to rethink the landscape. The Piet Oudolf sculpture garden opened to the public in 2018.

Another stop from that day, De Theetuin in Weesp, was featured in yesterday’s GPOD.

Seated sculpture surrounded by perennial and grass plantings in Piet Oudolf’s garden at Singer Laren

The sculptures were the starting point for Oudolf’s design, not the plants. He arranged perennials and grasses around each piece with height, texture, and seasonal change in mind. Here, Caspar Berger’s *Self-Portrait 3* (2005) rises above the surrounding plants on its wooden base.

Broad view across perennial beds, ornamental grasses, and pathways in Piet Oudolf’s garden at Singer Laren.

Oudolf used more than 70 perennial species throughout the garden. Repetition creates rhythm across the beds, while grasses and upright perennials weave through those masses and shift naturally in the wind.

Guido Geelen sheep sculpture surrounded by globe thistle, grasses, and late-season perennials at Singer Laren.

Dutch artist Guido Geelen created two sheep after seven sculptures were stolen from Singer Laren in 2007. One stands here among globe thistle (Echinops cvs., Zones 3–9), lamb’s ear (Stachys byzantina, Zones 4–8), ornamental grasses, and other perennials.

Late-summer perennials, seedheads, ornamental grasses, and sculpture in Piet Oudolf’s garden at Singer Laren.

An elevated sculpture provides a strong vertical focal point. It’s a great example of how art can become part of the garden composition rather than simply an object placed within it.

Levi van Veluw’s In the Depths of Memory emerges from a mass of asters and surrounding foliage. Unlike the elevated piece seen earlier, this sculpture sits among the plants, where flowers and foliage partially obscure the figures. The contrast shows how differently art can interact with the landscape depending on its placement.

Sculpture framed by a large museum window with ornamental grasses and blue sky beyond.

From inside the museum, the sculpture, ornamental grasses, and architecture read as one continuous scene. The large window helps blur the boundary between indoors and out, so the art and garden feel connected rather than separate.

Of all the sculptures Danielle shared from this stop, Levi van Veluw’s In the Depths of Memory might be my favorite. I love the arrangement of heads across the platform and table. It’s unusual and a little strange, but that’s exactly what I like about it. Thanks for taking us along, Danielle!

We want to see YOUR garden!

Have photos to share? We’d love to see your garden, a particular collection of plants you love, or a wonderful garden you had the chance to visit!

To submit, fill out the Garden Photo of the Day Submission Form.

You can also send 5–10 photos to [email protected] along with some information about the plants in the pictures and where you took the photos. We’d love to hear where you are located, how long you’ve been gardening, successes you are proud of, failures you learned from, hopes for the future, favorite plants, or funny stories from your garden.

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